Izumi Kato, born in 1969 in Shimane Prefecture, Japan, is a contemporary artist whose work spans painting, sculpture, and installation. He is known for his unique technique of applying paint directly with his hands, creating figures that occupy a liminal space between the physical and spiritual realms. Kato's art often features humanoid forms with bulbous heads and disproportionate bodies, reminiscent of embryos or primitive organisms, which explore themes of existence and consciousness.

Kato began his artistic journey relatively late, debuting at age 30 after graduating from Musashino University in 1992. His early works reflected a fascination with life and the human condition, often devoid of specific narratives, allowing viewers to engage with the emotion and energy emanating from his figures. His sculptures, crafted from wood, echo his painting style, focusing on human forms while incorporating elements of traditional Japanese craftsmanship.

Residing between Tokyo and Hong Kong, Kato draws inspiration from his surroundings, employing various materials and techniques, including stitching and carving, which relate to his experiences as an avid fisherman. His work emphasizes a connection to nature and the animistic beliefs of Shintoism, where spirits inhabit objects and the environment.

Kato's art has gained international recognition, with notable exhibitions in prestigious venues, including the 52nd Venice Biennale in 2007 and solo shows at the Stephen Friedman Gallery in London (2022) and the Watarium Art Museum in Tokyo (2022). His works are included in significant public collections, cementing his status as a vital voice in contemporary art. Through his practice, Kato continues to challenge viewers to ponder the essence of life and the interconnectedness of all beings.